SCREEN, STAGE AND VOICE ACTING
I will learn the lines of Henry V, Act III, Scene One [One more unto the breach, dear friends] and do that monologue professionally to root my acting first off, then do the games, anime Voice Acting aligned with contemporary Reels supported by auditions to set the momentum on my_backstage. This is in scope for first quarter, and I don’t expect to start my subscription again until December. I have five IPs to Pitch.
GAME FRANCHISE CREATION
SPACEZODIACS Shiyan Meishu is the Hybridcasual scale into a game franchise that is served by a feature animation called SHIYAN MEISHU: The Heavenly Palace, so I will attempt to keep the five screenplays, those IPs written as games relevant to adjacent possible for their productions. This involves scope of the likes of Tencent, Sony and with 100 to 300 million dollar investment to entertain that theater driven by my game design.
NEW WORLD ORDER
I am auteur by reference who is embracing “game design” as a world view, building upon previous traction to establish momentum in games industry, integrating progressive, heavy metal genre as a persona of ECMcCready and of brand loop with new-age, astronomy and astrology: Schedule(s), Budget(s), Concept Document/System Doc, Asset Lists, Prototyping and Playtesting must be seamless with Pitch Deck iteration, mentioning that one I have is a salvage from a computer crash a couple months ago.
Also, my white paper must be eloquent as well.
GamifiableMobile 